By Jessica Rath When Janice and Michael Quinn bought their property in Rio Chama near Medanales, they were quite intrigued by the strange and decidedly unique structure which was part of it: a small building without any straight lines. It looked like something that had grown out of the earth, with undulating curves, bulbous outcrops, round and colorful windows. It had been abandoned for a while and wasn’t in great shape; raccoons and other critters had moved in. Janice and Michael didn’t know much about who built it, but one thing was certain: it was something special that deserved to be restored. The Quinns started on a Sherlock-Holmes-inspired journey. Talking to neighbors and former residents, they managed to piece together the story of the original owner and builder of the Hobbit Hut, a man every bit as eccentric and colorful as the building: Franklin MacFie. An artist, musician, actor, performer, who single-handedly built the free-form house all by himself. Well, people helped him, neighbors and friends. But he designed and planned the dwelling all by himself, although he wasn’t an architect. I figured this would make a fascinating story for the Abiquiú News, and the Quinns kindly agreed to give me a grand tour of the Hut. Michael had been hard at work for weeks and months (“forever”, Janice corrected), sealing the roof which had several water leaks and renovating each room, to make it habitable. But first of all they shared some great news with me: on June 14, 2024, the Cultural Properties Review Committee listed the Franklin MacFie House in the State Register of Cultural Properties and recommended that the nomination be forwarded to the Keeper of the National Register for listing in the National Register of Historic Properties. With the help of New Mexico’s State and National Register Coordinator Steven Moffson, Janice and Michael had filled out a lengthy application to have the Hobbit Hut formally recognized as a site of historic relevance. If you’re interested, here is the link to the nomination; it has a lot more information than I could fit into this article. Why did they apply for this? I wanted to know. “Frankly, it just seemed like a good idea”, Michael told me. “I don't even remember how I discovered that we could apply – just looking around the internet, I guess. What do we hope to get out of it? We hope to get a plaque”, he laughs. “And then maybe some financial and professional help. Because we do everything ourselves. And we pay everything with cash, so it takes a long time. I think my primary goal is to preserve the building, and make sure that it stays a stable, viable building into the future when we’re gone”. One reason why the site is historically relevant may be the fact that it was built with a unique construction technique: Ferrocement. It’s a composite material which uses a skeletal framework of steel rods which is then covered by fine-meshed chicken wire and burlap, and lastly plastered with a layer of cement mortar. Although this is only between 1 3⁄4 and 2 1⁄2 inches thick, it’s an extremely strong shell: Michael claimed that one could drive a car on top of the roof, and it would not cave! Whether that’s indeed possible I have no idea, but a number of Franklin’s friends have been documented dancing happily on the roof. I got a better insight into the way Ferrocement was used when Janice and Michael took me on a tour of the house. The most pressing part of the work to be done is fixing the leaks, Michael explained. “This mesh makes Ferrocement work”, Janice added. “That's why it doesn’t have to be heavy concrete but can be thin. So this whole thing is made out of rebar, chicken wire, burlap, and Portland cement. It’s a wonderful way to build actually, and it's waterproof. They still have ships that the hull is built out of Ferrocement. There are huge stadiums in Europe which are built of Ferrocement. It's amazing, eco-friendly stuff”. Ships? Built with cement? This sounded somewhat counterintuitive (and I have to admit that I’m rather clueless as far as engineering is concerned). But sure enough, there’s even a Wikipedia page about Concrete Ships, click on the link for some interesting images. And here you can find some other amazing buildings made of Ferrocement. From the outside, it looked as if this would be some dark, cavelike abode. But once we stepped inside, I was surprised to see how light-filled and airy the house was! From the entrance, the living areas undulated in every direction, sloping down naturally, following the hillside. There were no straight lines anywhere, and the few dividing walls all had arches and openings. The house looked alive, breathing, moving, changing. I was utterly enchanted. Janice pointed to the ground: “All of this was dirt, which got muddy whenever it rained. Michael worked hard to install concrete floors; that was one of the first things he did”. Next, we looked at the kitchen, and Michael showed me everything that had been done so far, and his many future plans. “The electricity is here for a refrigerator; and there is a sink with a cabinet; and cabinets over there are on the backside of a closet which will be in the bathroom. There will be chairs here and a breakfast table. So, we could rent it out for a couple of months in the Summer; I have plans to put in a mini split system for heating and air conditioning”. “The bathroom will have a shower right here, a toilet there, and the sink, and the washer and dryer will be here, and a water heater”. By this time, after walking through different rooms and getting a better sense for all the amazing details – there were so many windows, for example, and every one was unique and different, some round, some arched, some colored glass church windows – I wanted to learn more about the man who built this. Franklin MacFie. I asked Janice and Michael how they learned about him, and what they learned. Janice told me: “We loved the Hut at first sight, and asked our neighbor Dean Jeffers who lives below the ditch to the south, what he knew about it. From him and another neighbor (Reynel Maestas, the one whose grandmother had owned all these properties), we heard lots of stories. Dean told us that Franklin had moved to Portugal to nurse his partner Jean Michel Belluc who died of AIDS. And that Franklin had died soon after that! That’s why Michael was so surprised to see a very much alive Franklin at our door in 2008!” They had met him! How exciting! I wanted to hear all about it. Michael had quite a story to tell. “We were sitting in the hot tub. And it was the time of year when the moon comes up and projects light out of all the windows and auto tail lights in the Hut. And we were thinking, ‘It's the spirit of Franklin’. The next morning I was home alone, and there was a knock at the door. And there's Franklin with one of his friends from Santa Fe, and the lady from Portugal”. Michael had told me earlier that Franklin had built a round cement and adobe addition to a house in Portugal (he traveled all over the world), and that he had wanted to show his friends from Portugal the house he had built much earlier in New Mexico. So this was that visit. “I opened the door and there's this guy and says ‘Hi, I'm Franklin MacFie’. I couldn’t believe my eyes! ‘Franklin MacFie! The rumors of your demise have been greatly exaggerated!’ was all I could say. He thought that was funny, and he explained that he was here with friends and he wanted to show them the hut. And if it was okay. I said, of course it's okay. Do you mind if I come along? And so we walked down there”. “They weren't here for very long, I don't think they had much time. But that's when the picture of Franklin and me by the window was taken”. “So that was my first connection with Franklin, before I knew anything about him. I didn't know he was sick at the time. I didn't know anything about him, except that he built that place. Which meant a lot to me. Many years later Carol Bondy was here and we talked about the Hut and Franklin. She did some research and found the WordPress website. And that's when we started learning all about Franklin's eccentricities, his life and accomplishments”. He died shortly after this visit. Please take a look at the site if you want to learn more about Franklin MacFie. It’s a memorial put together by some of his lifelong friends, celebrating the artist, film maker, world traveler, theater director (he organized the Espanola Valley Theater where he worked with teen drama students and played in “Bye, Bye Birdie” in Santa Fe in 1978), an altogether gifted and brilliant man who lived in New York City, San Francisco, New Mexico, Morocco, Turkey, Portugal, and lots of other places. I guess it’s more a labor of love and less of an organized historical document, but somehow this is totally fitting for Franklin’s character. Janice told me another funny story, which she and Michael heard from Ray Stevens, a life-long friend of Franklin’s.
“Franklin and his partner Jean Michel, who was French, wanted to make Camembert cheese. And they had a cow. Jean Michel called somebody up in Wisconsin who made cheeses and who also happened to be French. The story goes that they just talked fluidly in French for like 30 minutes on the phone, and Jean Michel got the recipes. And so they started making Camembert cheese. Jean Michel would go to Santa Fe, with his rounds of Camembert cheese and in scantily cut off leather shorts and sell them to restaurants in Santa Fe”. “And Ray told us that sometimes the cheese wouldn't sell and they would bring it back and mix in some herbs and things, reformat and go back to town to try to sell it again, for even more money!” Isn’t it strange to have such a strong connection with another person's life? To gradually learn more details about a unique, creative, and rather eccentric individual? Some people might think that the Franklin MacFie House is too weird and unconventional and not worth saving. I applaud the Quinns for recognizing Franklin’s vision and for putting so much effort into the preservation of the building. They see and understand its beauty. I hope they’ll get some funding so that they can finish this labor of love sooner, rather than later. If you have questions about the Hobbit Hut, or have personal stories to share, please email TheHobbitHut@lunadanza.com. And thank you so much for showing me around, Janice and Michael – I’m glad I could learn something about Franklin and his original spirit.
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‘Loving our changing homelands’ how NM can move toward a respectful future with the environment7/19/2024 New Mexico PBS show explores climate change impacts, policies and people who are trying to resolve a changing globe
Source NM By Laura Paskus No matter where you live, climate change should be on your mind. New Mexico is warming and it is drying. Our forests are changing, and our rivers and aquifers are dwindling, even as we demand more from them all the time. Climate change touches every aspect of all our lives, whether you’re a farmer in the Lower Rio Grande or you own a mountain home and fear losing homeowners insurance. Fire season is longer and frankly, terrifying — especially when accompanied by post-fire flooding. Warming affects public health, whether fueling the pernicious spread of Valley Fever or making people who take certain medications more vulnerable to heat-related illnesses. And the more-than-human species we share this state with are suffering, too. So, yes, if you’re paying attention to climate change, you’re probably feeling some existential dread. Our new show, “Loving Our Changing Homelands,” highlights some of those challenges. But, I’m not asking you to lie in bed at night and worry. Nor do I want you to give in to despair or apathy. In fact, when it comes to climate change, habitat loss, and environmental challenges, there remains good work to do on every scale, from your yard to the planet. Policy changes and politics are important, for example, and it’s critical to elect officials who acknowledge — and understand — human-caused climate change, and then to hold them accountable every day they are in office. Greenhouse gas emissions must be reduced and where possible, eliminated, across industries. Certainly, new technologies can help us be more water- and energy-efficient. And there are easy ways for us each to make do with less. Less water, less electricity, less demand for consumer goods strewn about in our throw-away culture. But most of all, living in a climate changed world means that we need to remember, or decide upon, what we value, and what we love. We can all love this place, New Mexico, that is our home, whether we’ve lived here since time immemorial, for eight generations, or just moved here recently. In loving our changing homelands, we can exhibit respect and reciprocity. And, we can come together in community, in all of our diverse ways, to adapt to a warming world. Years ago, the writer Barry Lopez was in Albuquerque on a book tour. As a journalist, as a mother, and as a New Mexican, I always think of something he said. He said that it is okay to be in love with the world and to articulate that. And so, at Our Land, with this special, we articulate our love of the world. A world that I know we can adapt to, equitably, sustainably, and joyfully. Please join me in the coming days as I share with you some of what I’ve learned from our guests on this special show, including hydrologist Phoebe Suina from the Pueblo of Cochiti; Paula Garcia, executive director of the New Mexico Acequia Association; Theresa Pasqual, director of the Tribal Historic Preservation Office at the Pueblo of Acoma; Sister Joan Brown, executive director of New Mexico & El Paso Interfaith Power and Light; and Aaron Lowden, Indigenous Seed Keepers Network Program Coordinator and a farmer at the Pueblo of Acoma. A longtime reporter, Laura Paskus is senior producer for “Our Land: New Mexico’s Environmental Past, Present, and Future” on NMPBS. Learn more and watch at: newmexicopbs.org/productions/newmexicoinfocus/our-land/ and youtube.com/c/OurLandNM/videos Contemporary Mexican Photography Lecture Sunday, August 4, 5:00 – 6:00 p.m. The Abiquiú Inn proudly hosts a compelling lecture by Mexican photographer Cristina Kahlo. Cristina, the great-niece of Frida Kahlo, is one of Mexico’s most prominent contemporary photographers. Cristina’s artistic career follows in the footsteps of her great-grandfather Guillermo Kahlo and father Antonio Kahlo, both celebrated photographers.
Cristina will guide us into various themes treated by Mexican photographers in recent decades, from the magical to the political, and from documentaries to the surreal. She will also discuss her family lineage and special family memories in this lecture. Cristina employs multiple photographic printing techniques in her work, including platinum, cyanotype, heliogravure and color interventions. Her subjects include the feminine universe, geometry, rituals, music, architecture, dance, and childhood disabilities. Cristina’s most recent work was photographing and cataloging the Frida Kahlo Museum collection for its 65th anniversary. Cristina also recently curated the groundbreaking exhibition “Kahlo: An Expanded Body” at the Parrish Art Museum (New York), focusing on Frida’s dramatic medical history and its profound impact on her art. Her photography has been exhibited in numerous European galleries as well as throughout Latin America and the United States. Seating for this event is limited, so plan to arrive early. For more information, contact: Carlos Rovelo at 214-505-6549. By Julie Bondy Roberts
Reprinted from 2021 This week we feature a biscotti recipe. Biscotti means twice baked and that's exactly what you'll do. Brian's twin sent us a package of Gluten Free Orange Almond Biscotti. The recipe that follow is adapted from the Minimalist Baker. Amazing, simple vegan biscotti infused with orange zest and roasted almonds. Dip in vegan dark chocolate for a decadent touch. A delicious vegan breakfast, dessert, or snack with your favorite hot beverage! Ingredients 1/2 cup coconut oil (melted) 3/4 cup organic cane sugar (sub coconut sugar with varied results) 1/2 cup pumpkin puree* (acts as binder) 1 tsp vanilla extract 1 3/4 cups unbleached all-purpose flour* 1/2 cup fine cornmeal (or sub more all-purpose flour) 1 1/2 tsp baking powder 1/4 tsp sea salt 1 tsp orange zest 1/2 cup toasted almonds* (well chopped // somewhere between coarse and fine) 3/4 cup vegan dark chocolate (optional // chopped) Instructions Preheat oven to 350 degrees F (176 C). Melt coconut oil in a large mixing bowl. Add organic cane sugar and whisk thoroughly to combine. Add pumpkin puree and vanilla and whisk until completely combined. Next add flour, cornmeal, baking powder, salt, and orange zest. Stir until combined, but try not to over-mix. Add almonds and stir once more to evenly disperse. Use a knife or spatula to divide the dough into two even sections (amount as original recipe is written, adjust if altering batch size). Then using damp hands, form the two portions into long, semi-skinny logs. Try and make them as uniform in size and shape as possible so they bake evenly. Bake the loaves for 25-30 minutes, or until just slightly brown on the edges. Let cool slightly on the baking sheet, then use a serrated knife to gently slice into 3/4-inch pieces. Be very gentle when slicing, especially where the almonds are as they can crumble easily. I discarded (ate) the very end pieces because they were too small and already quite brown. Gently turn the biscotti on their sides and return to the oven to bake for another 20 minutes, gently flipping once at the halfway point (10 minutes), to ensure even baking. Let cool briefly before enjoying. If dipping in chocolate, add chopped chocolate to a mixing bowl and microwave in 30 second increments until melted, or melt over a double boiler on the stovetop. Once the biscotti are slightly cooled, dip one half of the biscotti into the chocolate, use a spoon to spread it slightly, then scrape off the excess. Place on a parchment-lined baking sheet to dry. To speed setting, pop in the freezer. Otherwise, let dry at room temperature until completely set. Store covered at room temperature for 3-4 days (I found a large jar is ideal). Will keep well-sealed in the freezer for up to 1 month. Enjoy with hot tea, hot toddies, hot chocolate, ginger lattes, or chai latte! By Trip Jennings, New Mexico IN Depth
This story was originally published by New Mexico In Depth It’s on. Gov. Michelle Lujan Grisham called New Mexico legislative leaders’ bluff, signing a proclamation Wednesday afternoon to demand state lawmakers return to Santa Fe for a mid-year special legislative session scheduled to begin noon Thursday. Lujan Grisham signed the proclamation during a state capitol press conference in Santa Fe surrounded by a phalanx of public officials that included Albuquerque Mayor Tim Keller, leaders from Farmington, Las Cruces and other communities, and three Pueblo governors. The officials showed up en masse to support the governor in her call for state lawmakers to tackle several public safety measures she says cannot wait until January, when lawmakers are scheduled to regularly return to Santa Fe. Her chances of success are anybody’s guess, especially during an election year when lawmakers would prefer to be home, particularly those running for re-election. When they’re in session, lawmakers cannot solicit campaign contributions, although they can accept them. State House and Senate leaders have told Lujan Grisham that their fellow lawmakers haven’t reached a consensus on her legislative priorities. Governors have the power to call special sessions, but doing so without an agreement forged with leaders during negotiations prior to the session is risky — and rare. Reaction was swift Wednesday afternoon from progressive organizations who have publicly expressed their concern about the governor’s agenda. In an email, Bold Futures, Equality New Mexico, the ACLU of New Mexico, and the New Mexico Coalition to End Homelessness denounced her decision to move ahead while ignoring community members and experts who said the governor’s measures will harm vulnerable populations. Special sessions are usually short and narrow in scope. Fourteen of the 25 special legislative sessions held since 1990 have lasted six days or fewer. And of the seven that lasted 10 days or more, four of them involved lawmakers’ once-a-decade responsibility of redrawing lines for legislative and congressional districts, which generally take much longer than other special sessions. Without an agreement in place, this week’s special session could drag on for days. Or state lawmakers could gavel themselves out of session. A simple majority of lawmakers in each chamber could vote to do that. Or one chamber could work while the other is adjourned, which happened when Gov. Bill Richardson was in office and the Senate adjourned while the House stayed in special session. As was the case with the state Senate that year, the adjourned chamber must come back every three days to gavel itself back into session and then adjourn — unless the other chamber says it is OK to be out for longer than three days. Sundays do not count toward the three days. Here is the governor’s agenda according to the proclamation sent out by her office Wednesday afternoon: (1) amending certain procedures and requirements relating to criminal competency laws (2) amending the definitions of “harm to self” and “harm to others” in the Mental Health and Developmental Disabilities Code and the Assisted Outpatient Treatment Act (3) requiring local law enforcement agencies to submit reports on crime incidents, ballistics information, and other relevant information to the Department of Public Safety on a monthly basis (4) enacting the Unsafe Use of Public Highways and Medians Act to ensure safe use of medians and roadways by pedestrians (5) increasing the penalties for felons and serious violent felons found in possession of a firearm (6) amending the Racketeering Act to add various predicate offenses, expand the definition of “enterprise,” and add various crimes relating to racketeering activity (7) increasing the basic sentence for crimes involving the possession or trafficking of fentanyl (8) appropriating funds to Federal Emergency Management Agency (FEMA) Public Assistance eligible applicants that have been approved for FEMA public assistance funding for projects to replace or repair public infrastructure damaged by fire, flooding, or debris flows that were addressed as part of Major Disaster Declaration DR-4795-NM (9) and appropriating funds for the expenses of the Fifty-Sixth Legislature, First Special Session, 2024. OFFICE OF THE STATE ENGINEER, INTERSTATE STREAM COMMISSION, BUREAU OF RECLAMATION AND USACE-ALBUQUERQUE DISTRICT PUBLIC AFFAIRS Water Managers continue to respond to sediment plug on Rio Chama: State and Federal partners coordinating to ensure safety and access to water
SANTA FE, N.M. –The Office of the State Engineer and the Interstate Stream Commission, along with the U.S. Army Corps of Engineers (USACE) and the Bureau of Reclamation, continue to work closely together to manage Rio Grande water operations and establish a channel for the river after a sediment plug formed in the Rio Chama following an intense rainfall on June 20. USACE is conducting flood control operations by managing releases from Abiquiu Reservoir within their authorities to minimize effects. To ensure that water rights holders receive the available water and to maintain compliance with the Rio Grande Compact, the OSE/ISC has provided Reclamation with state funding to mobilize crews and specialized equipment to clear a channel through the sediment plug, which was approximately 100-feet wide, 4 to 5 feet deep, and over a mile long. Until channel capacity in the Rio Chama can be restored to safely release higher flows from Abiquiu Reservoir, flows on the Rio Chama will be restricted and San Juan-Chama Project water may not be released from Abiquiu Reservoir. This is resulting in lower flows through the Middle Rio Grande. The state and federal agencies will continue to monitor and respond to the situation and work throughout the Rio Grande Basin to ensure that New Mexicans remain safe and have access to their designated water allocations. --- The Office of the State Engineer is charged with administering the state’s water resources. The State Engineer has power over the supervision, measurement, appropriation, and distribution of all surface and groundwater in New Mexico, including streams and rivers that cross state boundaries. The State Engineer is also Secretary of the Interstate Stream Commission. The nine-member Interstate Stream Commission is charged with separate duties including protecting New Mexico’s right to water under eight interstate stream compacts, ensuring the state complies with each of those compacts as well as investigating, conserving and protecting the waters of the State, in addition to water planning. https://www.ose.state.nm.us |
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